I’ve been a fairly avid reader all of my life, but I’ve found that after a few months has passed I tend to remember only a small fraction of what I read––perhaps because of my reading speed. Or maybe it’s just how my mind works. While a majority of my reading time has been devoted… Read More »
I’ve recently started a new series called “TransLiterary Lab” (文学翻訳ラボ) where I do analysis and translation of short excerpts of Japanese literature. You can see more information about this series in this post. In this third episode I will discuss and translate a little of 夢十夜 from Natsume Soseki (夏目漱石) for which you can the… Read More »
I’ve decided to start a new series called “TransLiterary Lab” (文学翻訳ラボ) where I do analysis and translation of short excerpts of Japanese literature. You can see more information about this series in this post. In this second episode I will continue where I left off in episode one, and translate a little more of Akutagawa… Read More »
I give special value to vocabulary words or expressions that I have learned through interaction with native speakers. No matter how much you read or watch forms of Japanese media (books, manga, movies, etc.), it just seems there are some things you have to experience yourself by using Japanese in daily life. In this post,… Read More »
I enjoy writing articles on this blog as well as doing translation of various Japanese works, and was considering writing more articles where I analyze passages and talk about translation details. However, some time ago I hit upon an idea that would be much more fun and potentially more educational than a simple article. Now,… Read More »
In this post I’d like to go over the connecting expression “〜ものの” (~mono no), which is especially useful for those of you interested in Japanese literature. The meaning of this relatively simple: 〜ものの is used after a phrase in order to express a contrast with what comes after. In English we express this with words… Read More »
In this post I’d like to highlight the Japanese word “hikizuru”, which is usually written with a combination of kanji and hiragana as 引きずる, or in only hiragana as ひきずる. I chose this word because I hear it once in awhile used for a metaphoric meaning that may not be obvious immediately. (Note: ひきづる is… Read More »
When studying a foreign language, it’s natural for all sorts of questions to come up––how to pronounce words, how to use grammar correctly, and (perhaps the hardest) how to speak or write natural sounding language. For those taking a formal language class, generally there will be some time either after or during class to ask… Read More »
After struggling to find a good job after graduating college, Ryota hits upon the idea to become a high-rise window cleaner, a dangerous job with poor pay. One of the job’s perks is being able to spy into other people’s lives and see moments that would otherwise be unknown to the rest of the world,… Read More »
The other day I stopped by the Kinokuniya bookstore in Beaverton, Oregon, and stood before the bookshelf of hardcover Japanese fiction as I tried to figure out what to read next. I ended up choosing “The Woman in the Purple Skirt” (むらさきのスカートの女) by “Natsuko Imamura” for two reasons: it had won the prestigious Akutagawa prize… Read More »